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“What
is lifecasting anyway?” That the question that I hear most
often when I mention the type of art I produce. Since I respond
to it so often I learned conserve my words – “ taking a mold
from the human body is” is usually my abbreviated retort. But
in fact it is much more than that as lifecasting is one of the
oldest art forms dating back to when Egyptian artisans used
gypsum and linen or papyrus to make masks.
One
might as well ask what is photography and receive the simple
answer that it is a method of reproducing an exact likeness of a
three-dimensional object in two dimensions. It is the right
answer, but far from an adequate one. The same is true for
lifecasting – an art form often denigrated by artistic purists
as nothing more than copying. However all one has to do is to
view the works of John DeAndrea, Duane Hanson and George Segal
the holy trinity of lifecasting artists and it most certainly
would dispel that criticism.
What
they would see is that lifecasting is more than simply taking a
mold from the body. It is what the artist does with that mold
– how he poses it, how he casts it, the story he tells with it
that is completes the answer to what is lifecasting. In fact
when properly executed lifecasting, like painting, dancing,
playing an instrument or sculpting it is an art form all to
itself.
Lifecasting
is about craftsmanship – as much as it is with a cabinetmaker
or a fine furniture designer. It is about technique – just as
is with an accomplished painter. It is about dimensional
visualization – just as in sculpting and in photography. For
lifecasting is a blend of all these skill, the sculptor, the
painter, the craftsman and the photographer.
To
an amateur lifecaster the art is also about realistic
preservation. It is a means of creating a long time memory of a
relative or loved one. A baby’s hand, or the foot of a child
in a ballet slipper, or a face, or the hands of two lovers are
all very precious to the artist who creates them. It is
different than a painting or a sculpture, as it has actually
touched the person that it represents evoking more emotion and
more sentiment than any other art form.
So
perhaps the better definition of lifecasting is that art form by
itself for the artistic preservation of the memory of the
model that is was molded from. |